···········no puedo dejar de cantar cuando camino por la calle
································no canto (nu-no-ni-ne-na)
································nadie me oye
································necesidad suplicante
···············································································(suplicante)–necesidad suplicante
····················································ni pienses que no lo hago
····················no puedo dejar de cantar cuando camino por la calle
·························································no canto (él no escucha)
···········································································nunca más
··················································································nueva
············nueve veces ya sentí que me tocaban el hombro
·····················nadas solo nadas
······················nieva (no tampoco veo la niebla, no había nadie)
····························································nadie me oye
·······································nenita, loca (todos me oyen)
················nadie me tocó el hombro (porque todos ven que)
······································negrura en los ojos que sin cerrarse
·····································································no duermen
································niveles de necesidad suplicante extrema
············································necesitan saber más, más, más

lo toco, lo siento hombre
pero qué hay
ay, dame
me provoca
casi, frases obvias
hasta nunca
cansarte
te salvan
van, unidas
así, explicitadas en el papel
el, compenetrados, mujer
hermosa
atrapada
alma y piel
elástica
poseída
interpolada en
“la carne”
supongo
infiero
debajo de la superficie
cabizbajo
jocosos, sabrosos
oscuro cortinaje entre
bordeaux y negro, es suave
esto humedecido, mío
oí mí alma, piernas, es mía
y aquí otra

(interrupción lingüística)

pres@ de un

(consuelo escatológico)

desequilibrio enfermizo
promiscuo, ambiguo
convivencia heterogénea
con vos,
un super-vos,
ellos y sus voces,
y, mí
orgía verbal